From the Desk of Lou Waxman

Neil Young Rocky Mountain Review 1971 bootleg vinyl

Why Neil Young Hates This Record (and Why You M...

Lou Waxman explores Neil Young’s complicated relationship with bootlegs through Rocky Mountain Review, a mysterious 1971 recording that feels as underground as the culture that produced it.

Why Neil Young Hates This Record (and Why You M...

Lou Waxman explores Neil Young’s complicated relationship with bootlegs through Rocky Mountain Review, a mysterious 1971 recording that feels as underground as the culture that produced it.

Mom’s Apple Pie self-titled 1972 vinyl album cover

Why Mom’s Apple Pie Still Makes People Uncomfor...

What begins with hair-metal nostalgia turns into a meditation on album art, Americana, and forgotten 1970s rock, as Lou Waxman revisits Mom’s Apple Pie.

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Why Mom’s Apple Pie Still Makes People Uncomfor...

What begins with hair-metal nostalgia turns into a meditation on album art, Americana, and forgotten 1970s rock, as Lou Waxman revisits Mom’s Apple Pie.

1 comment
 Reed Take No Prisoners 1978 live album vinyl cover

Why Take No Prisoners Is the Most Fun Lou Reed ...

Lou Waxman argues that Take No Prisoners isn’t just a live album—it’s Lou Reed in full conversational, confrontational form. Rambling, hilarious, and oddly intimate.

Why Take No Prisoners Is the Most Fun Lou Reed ...

Lou Waxman argues that Take No Prisoners isn’t just a live album—it’s Lou Reed in full conversational, confrontational form. Rambling, hilarious, and oddly intimate.